We didn't know each other well. I never had the time. Now I see that it doesn't make any difference. The ones who hurry and the ones who take their time all end up in the same place. Just don't have any regrets. No regrets.
Stanislaw LemRead
The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.
Interpretation
This quote reflects the struggle of writers between the freedom of imagination and the constraints of expression.
Stanislaw Lem's quote highlights the paradox faced by writers: while the act of writing is essential to sharing thoughts, it also requires the limitation of ideas. The more one commits to writing, the more they must abandon alternate possibilities, suggesting that true peace may come from the freedom to imagine without the obligation to express.
In practice
In a writing workshop, this quote could be used to illustrate the challenges of creative expression.
We didn't know each other well. I never had the time. Now I see that it doesn't make any difference. The ones who hurry and the ones who take their time all end up in the same place. Just don't have any regrets. No regrets.
Cripple God, who always desires more than he's able to have, and doesn't always realize this to begin with. Who has built clocks, but not the time that they measure. Has built systems or mechanisms that serve particular purposes, but they too have outgrown these purposes and betrayed them. And has created an infinity that, from being the measure of the power he was supposed to have, turned into the measure of his boundless failure.
We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is.
No one reads; if someone does read, he doesn't understand; if he understands, he immediately forgets.
A writer should not run around with a mirror for his countrymen; he should tell his society and his times things no one ever thought before.
Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers, and without finding what lies behind doorways that he himself has sealed.
Anybody can write music of a sort. But touching the public heart is quite another thing.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.
I mean by a picture a beautiful romantic dream of something that never was, never will be - in a light better than any light that ever shone - in a land no one can define, or remember, only desire
There's something peculiar about writing fiction. It requires an interesting balance between seeing the world as a child and having the wisdom of a middle-aged person. The further you get from childhood and the experience of the teenage years, the greater the danger of losing that wellspring.
I started dancing almost before I could walk.
Subscribe for the occasional hand-picked quote. No noise.