My idea of rich is that you can buy every book you ever want without looking at the price and you're never around assholes. That's the two things to really fight for in life.
John WatersRead
To me, bad taste is what entertainment is all about. If someone vomits while watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste.
Interpretation
Bad taste in entertainment can provoke strong reactions, and that response can be seen as a compliment.
John Waters suggests that the essence of entertainment often lies in pushing boundaries, even to the point of invoking negative reactions like disgust. He acknowledges that while some forms of 'bad taste' can be entertaining and artistic, there is a distinction between entertainingly bad taste and simply poor taste. This highlights the complex relationship between art, audience reaction, and the subjective nature of enjoyment.
In practice
This quote could be used when discussing controversial films in a film studies class.
My idea of rich is that you can buy every book you ever want without looking at the price and you're never around assholes. That's the two things to really fight for in life.
Irony ruined everything Even the best exploitation movies were never meant to be `so bad they were good`. They were not made for the intelligentsia. They were made to be violent for real, or to be sexy for real. But now everybody has irony. Even horror films now are ironic. Everybody's in on the joke now. Everybody's hip. Nobody takes anything at face value anymore.
I don't like rules of any kind. And I seek people who break rules with happiness - and not bringing pain to themselves.
I believe if you come out of a movie and the first thing you say is, 'The cinematography was beautiful,' it's a bad movie.
To understand bad taste one must have very good taste.
'Hairspray' maybe did change people's minds, and that's how you get your political enemies to change their minds - by making them laugh and making them look at something in a way they haven't seen it. Not by preaching and cutting them off and being a separatist.
My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
I think that cinema and the arts are central in our lives because we grow up and learn about the world through our exposure to stories. Parents use them as a tool to teach their children fundamental truths and values, much as adults can view them to gain exposure to cultures and individuals that they'd never be able to view in their own lives.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
Movies are not about the weekend that they're released, and in the grand scheme of things, that's probably the most unimportant time of a film's life.
I want to make clothes that people will wear, not styles that will make a big splash on the runway.
You move just a finger, say the slightest word, something's bound to linger-be heard.
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