When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
William FaulknerRead
Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.
Interpretation
Writing is a personal and individual journey that requires learning through experience rather than relying on theoretical advice.
This quote by William Faulkner emphasizes the importance of self-discovery and personal experience in the craft of writing. He suggests that aspiring writers should not strictly adhere to established theories or seek external validation, but instead embrace their own mistakes as vital learning tools. Faulkner highlights the inherent vanity of the artist, suggesting that a good writer is driven by a desire to surpass those they admire, which fuels their creative journey.
In practice
A motivational speech for a group of aspiring writers.
When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
I feel like a wet seed wild in the hot blind earth.
When grown people speak of the innocence of children, they dont really know what they mean. Pressed, they will go a step further and say, Well, ignorance then. The child is neither. There is no crime which a boy of eleven had not envisaged long ago. His only innocence is, he may not be old enough to desire the fruits of it...his ignorance is, he does not know how to commit it...
Maybe times are never strange to women: it is just one continuous monotonous thing full of the repeated follies of their menfolks.
He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that any more than for pride or fear....One day I was talking to Cora. She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too.
Ever since then I have believed that God is not only a gentleman and a sport; he is a Kentuckian too.
The willed recovery of what's been lost - often forcibly, I suppose - is what keeps me going. It is this reason I found myself a poet and a collector and now a curator: to save what we didn't even know needed saving.
Few sensible authors are happy discussing the creative process--it is, after all, black magic.
Creation comes before distribution -- or there will be nothing to distribute.
I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.
You can't trust an artist that just makes good records.
You can cage the singer but not the song.
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