Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants.
Interpretation
What this quote means
This quote reflects on the transient nature of beauty and memories, emphasizing that decay is a natural part of existence.
F. Scott Fitzgerald's quote suggests that beautiful things eventually reach their peak and begin to fade, leaving behind memories as they decay. He implies that just as our memories of past periods also fade, the objects and relics of those times should be allowed to decay too, signifying that clinging to them is futile—like trying to artificially prolong life. This perspective invites us to appreciate beauty in its moment while acknowledging its impermanence, accepting that memories can serve to preserve the essence of that beauty in our hearts.
Themes
In practice
Example use cases
This quote can be used as a reflection during a eulogy to honor a loved one.
More from F. Scott Fitzgerald
All quotes →The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
Similar quotes
It's your life - but only if you make it so. The standards by which you live must be your own standards, your own values, your own convictions in regard to what is right and wrong, what is true and false, what is important and what is trivial. When you adopt the standards and the values of someone else . . . you surrender your own integrity. You become, to the extent of your surrender, less of a human being.
I have seen firsthand how injustice gets overlooked when the victims are powerless or vulnerable, when they have no one to speak up for them and no means of representing themselves to a higher authority. Animals are in precisely that position. Unless we are mindful of their interests and speak out loudly on their behalf, abuse and cruelty go unchallenged.
I come to Jerusalem. There, the sky is blue and memory becomes clear.
But knowledge does not protect one. Life is contemptuous of knowledge; it forces it to sit in the anterooms, to wait outside. Passion, energy, lies: these are what life admires. Still, anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.
Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.
A really efficient totalitarian state would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude.