Beauty is a fruit which we look at without trying to seize it.
Interpretation
True beauty is often appreciated from a distance and is not something we can possess or control.
This quote by Simone Weil speaks to the nature of beauty as something that exists in its own realm, appreciated through observation rather than ownership. It suggests that beauty, much like fruit, is to be enjoyed in its natural form rather than exploited or attempted to be captured, highlighting the transient yet impactful experience of encountering beauty in the world around us.
In practice
In an art class, a teacher might share this quote to prompt a discussion on appreciating art without the need for ownership.
The afflicted are not listened to. They are like someone whose tongue has been cut out and who occasionally forgets the fact. When they move their lips no ear perceives any sound. And they themselves soon sink into impotence in the use of language, because of the certainty of not being heard.
The appetite for power, even for universal power, is only insane when there is no possibility of indulging it; a man who sees the possibility opening before him and does not try to grasp it, even at the risk of destroying himself and his country, is either
As soon as men know that they can kill without fear of punishment or blame, they kill; or at least they encourage killers with approving smiles.
Evil is license, and that is why it is monotonous: everything has to be drawn from ourselves. One is condemned to false infinity. That is hell itself.
I am not a Catholic; but I consider the Christian idea, which has its roots in Greek thought and in the course of the centuries has nourished all of our European civilization, as something that one cannot renounce without becoming degraded.
How many people have been thus led, through lack of self-confidence, to stifle their most justified doubts?
At a certain place in Beethoven's Ninth Symphony, for example, he might feel that he is floating above the earth in a starry dome, with the dream of immortality in his heart; all the stars seem to glimmer around him, and the earth seems to sink ever deeper downwards.
All you can do is show people...You tell stories that are true and compelling.
Every time I try to retire, or even think of retiring from acting, my agent comes up with a script.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.
You don't know how much artists go through to make it look so easy. It's all in the practice.
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