Christianity remains to this day the greatest misfortune of humanity.
Friedrich NietzscheRead
At a certain place in Beethoven's Ninth Symphony, for example, he might feel that he is floating above the earth in a starry dome, with the dream of immortality in his heart; all the stars seem to glimmer around him, and the earth seems to sink ever deeper downwards.
Interpretation
The quote describes the transcendent experience of music that inspires feelings of immortality and connection to the universe.
In this quote, Friedrich Nietzsche captures the profound and transformative nature of music, particularly highlighting how Beethoven's Ninth Symphony can evoke a sense of soaring above the earthly realm. The imagery of floating in a starry dome symbolizes an ecstatic experience that brings sensations of hope, immortality, and connection to something greater than oneself, where earthly concerns fade away.
In practice
In a speech about the power of music in healing, one could reference this quote to emphasize its emotional impact.
Christianity remains to this day the greatest misfortune of humanity.
That which does not kill us makes us stronger.
Hope in reality is the worst of all evils because it prolongs the torments of man.
Watch them clamber, these swift monkeys! They clamber over one another and thus drag one another into the mud and the depth. They all want to get to the throne: that is their madness — as if happiness sat on the throne. Often, mud sits on the throne — and often the throne also on mud. Mad they all appear to me, clambering monkeys and overardent. Foul smells their idol, the cold monster: foul, they smell to me altogether, these idolators.
Reason is the cause of our falsification of the evidence of the senses. In so far as the senses show becoming, passing away, change, they do not lie.
The anarchist and the Christian have a common origin.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
At Sarah Lawrence, I realized that everybody was already what they were going to be. The painters were painting, the writers writing, the dancers dancing. And nobody wore any makeup. The art was uppermost.
One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.
Simple music is the hardest music to play and blues is simple music.
What's wrong with hip-hop is the system that controls the definition of it. There needs to be more balance on the airwaves.
The Last Airbender is an agonizing experience in every category I can think of and others still waiting to be invented. The laws of chance suggest that something should have gone right. Not here. It puts a nail in the coffin of low-rent 3D, but it will need a lot more coffins than that.
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