We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
E. L. DoctorowRead
Books are acts of composition: you compose them. You make music: the music is called fiction.
Interpretation
Books are creatively crafted like music, reflecting the artistry of their authors.
E. L. Doctorow's quote emphasizes the artistic process involved in writing books, likening them to music composition. Just as a composer creates music through careful arrangement and creativity, an author constructs a narrative in fiction, highlighting the creative expression that lies at the heart of storytelling.
In practice
This quote can be used in a speech about the importance of creativity in literature.
We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
In fiction, you know, there are no borders. You can go anywhere.
We are all good friends. Friendship is what endures. Shared ideals, respect for the whole character of a human being.
I've known several cases of writers who decide to write about something and they research the hell out of it and when they're ready to write, they can't move because they are so burdened. I start writing. Whatever I need somehow comes to hand.
Things that appear on the front page of the newspaper as 'fact' are far more dangerous than the games played by a novelist, and can lead to wars.
Suffice to say that the theme (the WHAT of the movie) is going to determine the style (the HOW of the movie).
I write as a witness to what I have seen.
The time has come for writers, especially those who are artists, to admit that in this world one cannot make anything out, just as Socrates once admitted it, just as Voltaire admitted it.
I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
I believe that one of the secret engines that allows cinema to work, and have the marvelous power over us that it does, is the fact that for thousands of years we have spent eight hours every night in a 'cinematic' dream-state, and so are familiar with this version of reality.
Hollywood is like being nowhere and talking to nobody about nothing.
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