Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Jordan PeeleRead
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
Interpretation
Campfire stories and urban legends serve as foundational inspiration for creators in horror, containing valuable lessons within their narratives.
In this quote, Jordan Peele emphasizes the significance of campfire stories and urban legends as essential sources of inspiration for those creating horror and thriller genres. He suggests that these tales often carry underlying truths and serve as cautionary narratives that reflect societal fears and teach valuable lessons, highlighting their enduring impact on storytelling.
In practice
In a film class, discussing how urban legends can shape horror narratives.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
I believe that a good children's book should appeal to all people who have not completely lost their original joy and wonder in life. The fact is that I don't make books for children at all. I make them for that part of us, of myself and of my friends, which has never changed, which is still a child.
The creative musician ... is ... the radio receiver, not the broadcasting station. His personal discipline is to improve the quality of the components, the transistors, the speakers, the alloys in the receiver itself, but never to concern himself overmuch with putting out the program. The program is there; all he has to do is receive it as far as possible.
I'm not a playwright. The people in my songs are all me.
Never play anything the same way twice.
No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.
Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects. But I don't do that anymore. I just want to be off the cuff and honest.
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