Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Jordan PeeleRead
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
Interpretation
Campfire stories and urban legends serve as foundational inspiration for creators in horror, containing valuable lessons within their narratives.
In this quote, Jordan Peele emphasizes the significance of campfire stories and urban legends as essential sources of inspiration for those creating horror and thriller genres. He suggests that these tales often carry underlying truths and serve as cautionary narratives that reflect societal fears and teach valuable lessons, highlighting their enduring impact on storytelling.
In practice
In a film class, discussing how urban legends can shape horror narratives.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
And thus it came to pass that the Silmarils found their long homes: one in the airs of heaven, and one in the fires of the heart of the world, and one in the deep waters.
When I'm stuck for a closing to a lyric, I will drag out my last resort: overwhelming illogic.
I'm not likely to forget where I've been and what I've done and learned. I think it's just as important to play new instruments as to play new pieces. The old ones are getting scarcer and the new ones more and more wonderful.
As a writer of fiction, I spend my days inventing real lives for make-believe people; what I create can only seem real.
If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
Japanese chefs believe our soul goes into our knives once we start using them. You wouldn't put your soul in a dishwasher!
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