One of the great things about books is you can afford to do anything.
George R. R. MartinRead
When you smell our candles burning, what does it make you think of, my child?" Winterfell, she might have said. I smell snow and smoke and pine needles. I smell the stables. I smell Hodor laughing, and Jon and Robb battling in the yard, and Sansa singing about some stupid lady fair. I smell the crypts where the stone kings sit. I smell hot bread baking. I smell the godswood. I smell my wolf. I smell her fur, almost as if she were still beside me. "I don't smell anything," she said.
Interpretation
The quote evokes memories tied to familial love and nostalgia through sensory experiences.
In this quote, the speaker reflects on the many scents that remind them of home, family, and cherished memories associated with their past. Each scent symbolizes a deeper connection to loved ones and moments shared, revealing how sensory experiences can evoke powerful emotions and memories, highlighting the warmth and complexity of familial bonds.
In practice
Using this quote to inspire family gatherings or events focused on reminiscing about the past.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Reading was a huge part of my life as a child - we were a family of storytellers.
A family can develop only with a loving woman as its center.
The abused children are alone with their suffering, not only within the family, but also within themselves. They cannot crate a place in their own soul where they could cry their beart out.
It all starts with the script: it's not worth taking myself away from my family if I don't have something I'm really passionate about.
To nourish children and raise them against odds is in any time, any place, more valuable than to fix bolts in cars or design nuclear weapons.
I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.
Subscribe for the occasional hand-picked quote. No noise.