Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
Joan MiroRead
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
Interpretation
The creative process is unpredictable and can yield surprising results.
Joan Miro’s quote reflects the spontaneity and unpredictability inherent in the act of creation. It emphasizes that true artistry often emerges from a place of exploration and surprise, as the artist allows intuition and instinct to guide them, leading to outcomes that can be both unexpected and delightful.
In practice
A motivational speech to aspiring artists about the beauty of creative uncertainty.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
The painting rises from the brushstrokes as a poem rises from the words. The meaning comes later.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
A simple line painted with the brush can lead to freedom and happiness.
And let me touch those curving claws of yellow ivory; and grasp the tail that like a monstrous asp coils round your heavy velvet paws.
Not everything has a name. Some things lead us into a realm beyond words…By means of art were are sometimes sent - dimly, briefly - revelations unattainable by reason.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay, you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language but in their behavior as well.
In my photography, I always lean towards the underprivileged because that's where I came from. When I went to the wars, I attempted to go and stand by those who were being trodden on. By that, I mean people like the Palestinians. When I go to India, I see really the poorest people, and I tend to be drawn to them.
I am interested in mathematics only as a creative art.
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