Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
Joan MiroRead
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
Interpretation
This quote emphasizes the pursuit of depth and richness in art while using minimal resources.
Joan Miro expresses a desire to achieve profound emotional or artistic intensity using the simplest, most stripped-down means. He reflects on how this approach results in a unique quality in his paintings, characterized by greater purity and focus, allowing the essence of the artwork to shine through without unnecessary embellishments.
In practice
In an art critique discussing modern minimalistic painting techniques.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
The painting rises from the brushstrokes as a poem rises from the words. The meaning comes later.
Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
A simple line painted with the brush can lead to freedom and happiness.
Well, in the '80s and '70s, with the exception of Sidney Poitier and Brock Peters, maybe Ivan Dixon, if you were as big and black as I am, you were a bad guy. Simple. Because in real life, I scare people.
All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
Color helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.
For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.
The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.
For me, a poem is an opportunity to kind of interrogate myself a little bit.
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