My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
Sidney PoitierRead
In my case, the body of work stands for itself... I think my work has been representative of me as a man.
Interpretation
This quote emphasizes the importance of one's work as a reflection of their identity and character.
Sidney Poitier suggests that the value of his artistic contributions is self-evident, and that his body of work serves as a testament to who he is as a person. It implies that one's achievements in their field can convey much about their values, beliefs, and integrity, highlighting the interconnectedness of art and personal identity.
In practice
This quote can be used in a presentation about the significance of artistic integrity.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
My father was the quintessential husband and dad.
I wanted to explore the values that are at work, underpinning my life.
We suffer pain, we hang tight to hope, we nurture expectations, we are plagued occasionally by fears, we are haunted by defeats and unrealized hopes . . . The hoplessness of which I speak is not limited.
We're all imperfect, and life is simply a perpetual, unending struggle against those imperfections.
I was the only Black person on the set. It was unusual for me to be in a circumstance in which every move I made was tantamount to representation of 18 million people.
The more I photograph women, the less it is about transformation. Women are beautiful. All that really matters is enhancing that.
The theater is so endlessly fascinating because it's so accidental. It's so much like life.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
Writing is the delicate, difficult, and dangerous means of succeeding in avowing the unavowable.
You can always make a film somehow. You can beg, borrow, steal the equipment, use credit cards, use your friends' goodwill, wheedle your way into this or that situation. The real problem is, how do you get people to see it once it is made?
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