A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
Chuck CloseRead
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
Interpretation
The camera does not capture absolute truth but offers a clearer perspective of reality.
Chuck Close emphasizes that while photography is not the ultimate truth, it allows for a more precise and objective representation of the world. This statement reflects the idea that art and perception are subjective, but photography can provide clarity in capturing moments as they are.
In practice
In an art class discussing the nature of photographic representation.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
The advice I like to give young artists, or really anybody whoβll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
All the best ideas come out of the process; they come out of the work itself.
A film like Hoop Dreams is what the movies are for. It takes us, shakes us, and makes us think in new ways about the world around us. It gives us the impression of having touched life itself.
People come to music to seek oblivion: is that not also a form of deception?
One should not become an artist because he can, but because he must. It is only for those who would be miserable without it.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
One thing I did pick up from Cannonball Run was the use of bloopers and outtakes under the final credits, which I've done in all my movies since.
Writing stories is my way of scratching that itch: my escape from the claustrophobia of individuality. It lets me, at least for a while, live more than one life, walk more than one path. Reading, of course, can do the same.
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