A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
Chuck CloseRead
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
Interpretation
The camera does not capture absolute truth but offers a clearer perspective of reality.
Chuck Close emphasizes that while photography is not the ultimate truth, it allows for a more precise and objective representation of the world. This statement reflects the idea that art and perception are subjective, but photography can provide clarity in capturing moments as they are.
In practice
In an art class discussing the nature of photographic representation.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
All the best ideas come out of the process; they come out of the work itself.
The songs are my lexicon. I believe the songs.
Americans want beauties, not me. I’m not the Parisian bombshell they expected. Can you see me as a chorus girl? Where’s my feather up the ass? They think I’m sad, they’re dumb. I don’t connect to them
I think if you say that art and politics, or religion and politics, mustn't mix, don't mix, that is itself a political statement. Even if you are writing a 19th-century novel where the money comes from a plantation in the Caribbean and you don't talk about that, that itself is a political thing.
The real biographies of poets are like those of birds, almost identical - their data are in the way they sound. A poet's biography lies in his twists of language, in his meters, rhymes, and metaphors.
As a cartoonist, I'm a caricaturist. First you find out what somebody really looks like, and then you find out what they 'really' look like.
Ah, music," he said, wiping his eyes. "A magic far beyond all we do here! And now, bedtime. Off you trot!
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