I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
Chuck CloseRead
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Interpretation
Appreciating art involves understanding the artist's creative process and decisions.
This quote by Chuck Close emphasizes that the joy of viewing art comes from connecting with the artist's intentions and the journey they took in creating the artwork. It highlights the importance of recognizing the embedded decisions in art, which enriches the viewer's experience and understanding of the piece.
In practice
This quote can be used in a lecture about the importance of understanding an artist's background in art history class.
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
All the best ideas come out of the process; they come out of the work itself.
Fifth positions, heads, musicality, energy. Not technical things so much-getting your leg higher or doing more turns but things that would set you apart from other dancers. The only way you can be different is to be yourself if you don't find your spirit and reveal it, you just look like every other dancer.
I always tell aspiring documentary filmmakers, 'You have to go into it because you love it; if you go into it for the money, you're an idiot.' The number one prerequisite is you have to be intensely curious. If you love learning and trying to make people figure out what makes people tick, it's the best job in the world.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I still feel that French cooking is the most important in the world, one of the few that has rules. If you follow the rules, you can do pretty well.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
Sometimes, it's all about the casting.
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