What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
Judy BlumeRead
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
Interpretation
A writer must focus solely on their creativity and characters, ignoring external judgments.
Judy Blume emphasizes the importance of complete concentration and dedication to the creative process when writing. By suggesting that writers should disregard the opinions of censors or reviewers and focus entirely on their characters and stories, Blume advocates for artistic freedom and authenticity in storytelling.
In practice
In a writing workshop, to inspire emerging authors to trust their instincts.
What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.
Concentrate on how good if feels to be alive. No matter what. Just to see the color of the sky, just to smell the air, and feel the wind in your face
I wrote 'Are You There God? It's Me, Margaret' right out of my own experiences and my own feelings when I was in sixth grade.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
I loved to read, and I think any child who loves to read will read anything, including the back of the cereal box, which I did every morning.
Ecstasy is the accurate term for the intensity of consciousness that occurs in the creative act.
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
I shall create! If not a note, a hole./If not an overture, a desecration.
Art has always had as its test in the long term the ability to speak to our innermost selves.
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