What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
Judy BlumeRead
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
Interpretation
A writer must focus solely on their creativity and characters, ignoring external judgments.
Judy Blume emphasizes the importance of complete concentration and dedication to the creative process when writing. By suggesting that writers should disregard the opinions of censors or reviewers and focus entirely on their characters and stories, Blume advocates for artistic freedom and authenticity in storytelling.
In practice
In a writing workshop, to inspire emerging authors to trust their instincts.
What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.
Concentrate on how good if feels to be alive. No matter what. Just to see the color of the sky, just to smell the air, and feel the wind in your face
I wrote 'Are You There God? It's Me, Margaret' right out of my own experiences and my own feelings when I was in sixth grade.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
I loved to read, and I think any child who loves to read will read anything, including the back of the cereal box, which I did every morning.
One thing is certain: the arts keep you alive. They stimulate, encourage, challenge, and, most of all, guarantee a future free from boredom. They allow growth and even demand it in that time of life we call maturity but too often enter it with a childish faith that what we learned in youth is sustenance enough for the years when most men are mentally famished but won't admit itβor when they are apt to curb their hunger with the sops of complacency, security, and the assurance of death.
Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesnβt have to suffer to show suffering. You just have to understand the human condition, understand the suffering.
A great many people seem to think writing poetry is worthwhile, even though it pays next to nothing and is not as widely read as it should be.
I'm one of those people who says, 'yes, cinema died when they invented sound.'
Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.
The people need poetry that will be their own secret_x000D_ To keep them awake forever,_x000D_ And bathe them in the bright-haired wave of its breathing.
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