When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
Judy BlumeRead
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
Interpretation
Human emotions are timeless, while technology quickly becomes outdated.
In this quote, Judy Blume emphasizes the enduring nature of human emotions compared to the rapidly changing landscape of technology. She suggests that while electronic forms of communication may be relevant for a moment, they ultimately become obsolete, whereas the feelings and connections that define human experience remain constant across time.
In practice
In a speech about the value of storytelling in an age of technology.
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.
Concentrate on how good if feels to be alive. No matter what. Just to see the color of the sky, just to smell the air, and feel the wind in your face
I wrote 'Are You There God? It's Me, Margaret' right out of my own experiences and my own feelings when I was in sixth grade.
I loved to read, and I think any child who loves to read will read anything, including the back of the cereal box, which I did every morning.
Jane Austen's books, too, are absent from this library. Just that one omission alone would make a fairly good library out of a library that hadn't a book in it.
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. . . . He was naturally learn'd; he needed not the spectacles of books to read Nature; he looked inwards, and found her there. . . . He is many times flat, insipid; his comic wit degenerating in to clenches, his serious swelling into bombast. But he is always great, when some occasion is presented to him.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
Every individual ought to know at least one poet from cover to cover: if not as a guide through the world, then as a yardstick for the language.
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
He constructed a vast labyrinthine of periods, made impassable by the piling-up of clauses upon clauses-clauses in which oversight and bad grammar seemed manifestations of disdain.
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