As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
I don't think the challenge is asking an audience to like a character; it's inviting them to try and understand them... then making that journey entertaining and worth their while. It's a classic trick, but it's human, and it allows characters to have more depth.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
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