I am a Christian because of that moment on the cross when Jesus, drinking the very dregs of human bitterness, cries out, My God, my God, why hast thou forsaken me? (I know, I know: he was quoting the Psalms, and who quotes a poem when being tortured? The words aren’t the point. The point is he felt human destitution to its absolute degree; the point is that God is with us, not beyond us, in suffering.)
Interpretation
The quote reflects the deep connection between suffering and faith, emphasizing that God understands human pain.
By highlighting Jesus's cry of abandonment on the cross, Christian Wiman illustrates the profound depth of human suffering and loss. He asserts that even in our darkest moments, we are not abandoned by God but rather, God is present with us in our suffering. This powerful statement serves as a reminder that faith can provide comfort even when faced with immense despair.
In practice
This quote can be used during a discussion on the importance of faith in times of suffering.
The endless, useless urge to look on life comprehensively, to take a bird's-eye view of ourselves and judge the dimensions of what we have or have not done: this is life as landscape, or life as résumé. But life is incremental, and though a worthwhile life is a gathering together of all that one is, good and bad, successful and not, the paradox is that we can never really see this one thing that all of our increments (and decrements, I suppose) add up to.
At some point you have to believe that the inadequacies of the words you use will be transcended by the faith with which you use them. You have to believe that poetry has some reach into reality itself, or you have to go silent.
What we call doubt is often simply dullness of mind and spirit, not the absence of faith at all, but faith latent with the lives we are not quite living, God dormant in the world to which we are not quite giving our best selves.
One of the qualities essential to being good at reading poetry is also one of the qualities essential to being good at life: a capacity for surprise. It’s easy to become so mired in our likes or dislikes that we can no longer recall that person who once responded to poems—and to people—without any preconceived notions of what we wanted them to be.
I don’t believe in “laying to rest” the past. There are wounds we won’t get over. There are things that happen to us that, no matter how hard we try to forget, no matter with what fortitude we face them, what mix of religion and therapy we swallow, what finished and durable forms of art we turn them into, are going to go on happening inside of us for as long as our brains are alive.
There is nothing more difficult to outgrow than anxieties that have become useful to us, whether as explanations for a life that never quite finds its true force or direction, or as fuel for ambition, or as a kind of reflexive secular religion that, paradoxically, unites us with others in a shared sense of complete isolation: you feel at home in the world only by never feeling at home in the world.
We are waiting for the long-promised invasion. So are the fishes.
Can there be in our age any peace that is not honorable, any war that is not dishonorable?
But how to do feelings? All very well to write "She felt sad", or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things.
There can be but one will the master in our salvation, but that shall never be the will of man, but of God; therefore man must be saved by grace.
I don't think most people are aware of the exotic and extreme tools at the disposal of the most powerful and wealthy men of America when they are bent at silencing accusations against them.
Every person born in this world represents something new, something that never existed before, something original and unique.
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