Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
And let me touch those curving claws of yellow ivory; and grasp the tail that like a monstrous asp coils round your heavy velvet paws.
Interpretation
This quote expresses a fascination with beauty and the allure of a creature's form.
In this quote, Oscar Wilde uses vivid imagery to convey the aesthetic appreciation of a creature, potentially symbolizing a deeper connection to art and the beauty found in nature. The description of 'curving claws of yellow ivory' and the coiling tail evokes a sense of wonder and elegance, hinting at themes of desire and admiration for the splendid and the exotic.
In practice
This quote could be used in a discussion about artistic inspiration from nature.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
The greatest writers have been, at heart, parochial, provincial in their rootedness.
If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.
All I try to do is portray Indians as we are, in creative ways. With imagination and poetry. I think a lot of Native American literature is stuck in one idea: sort of spiritual, environmentalist Indians. And I want to portray everyday lives. I think by doing that, by portraying the ordinary lives of Indians, perhaps people learn something new.
Poetry must be human. If it is not human, it is not poetry.
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