I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people with the metaphysical absurdity known as ‘flesh and blood’. In fact, ‘flesh and blood’ describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive.
Interpretation
The quote reflects how fictional characters can evoke deeper emotional connections than some real people.
Fernando Pessoa expresses the idea that the connections we forge with fictional characters and artistic representations can often be more profound than those we have with real individuals in our lives. He critiques the superficiality of human relationships, likening them to mere physical beings devoid of true emotional substance, suggesting that our bonds with imaginative creations can offer richer experiences than those with 'flesh and blood' humans.
In practice
In a speech about the power of literature, one might reference this quote to illustrate the emotional depth found in storytelling.
I have at this moment so many fundamental thoughts, so many truly metaphysical things to say, that I suddenly get tired and decide not to write any more, not to think any more, but to allow the fever of speaking to make me sleepy, and with my eyes closed, like a cat, I play with everything I could have said.
It's been months since I last wrote. I've lived in a state of mental slumber, leading the life of someone else. I've felt, very often, a vicarious happiness. I haven't existed. I've been someone else. I've lived without thinking.
We all have two lives: The true, the one we dreamed of in childhood And go on dreaming of as adults in a substratum of mist; the false, the one we love when we live with others, the practical, the useful, the one we end up by being put in a coffin.
I'm a man for whom the outside world is an inner Reality.
My dreams are a stupid refuge, like an umbrella against a thunderbolt.
The chill of what I won't feel gnaws at my present heart.
There are those who ask what authority, what theological qualification, the Council intended to give to its teachings, knowing that it avoided issuing solemn dogmatic definitions backed by the Church's infallible teaching authority. The answer is known by those who remember the conciliar declaration of March 6, 1964, repeated on November 16, 1964. In view of the pastoral nature of the Council, it avoided proclaiming in an extraordinary manner any dogmata carrying the mark of infallibility.
I lay puzzle as I backtrack to earlier times, Nothing's equivalent to the New York state of mind
A good character is the best tombstone.
Who would then deny that when I am sipping tea in my tearoom I am swallowing the whole universe with it and that this very moment of my lifting the bowl to my lips is eternity itself transcending time and space?
O Time the fatal wrack of mortal things,_x000D_ That draws oblivion's curtains over kings;_x000D_ Their sumptuous monuments, men know them not,_x000D_ Their names without a record are forgot,_x000D_ Their parts, their ports, their pomps all laid in th' dust_x000D_ Nor wit nor gold, nor buildings scape time's rust;_x000D_ But he whose name is graved in the white stone_x000D_ Shall last and shine when all of these are gone.
In all intellectual debates, both sides tend to be correct in what they affirm, and wrong in what they deny.
Subscribe for the occasional hand-picked quote. No noise.