My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own.
Interpretation
This quote reflects the beauty of nature and human connection.
In this quote, Nabokov highlights the enchanting interplay between a natural scene and the human experience, suggesting that the beauty of the sky and a person's presence can become intertwined in a moment of deep appreciation and admiration. The imagery of the glowing stars and the contrast of vibrant skies against the silhouette of leaves evokes a sense of intimacy and wonder.
In practice
This quote can be shared during a poetry reading to evoke the beauty of nature and human experiences.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
As artists, we can help, visually and intellectually, to make people understand that, at some point, we have to accept that it is our collective impact that is putting the whole planet in jeopardy.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.
We've come from the same history - 2000 years of persecution - we've just expressed our sufferings differently. Blacks developed the blues. Jews complained, we just never thought of putting it to music.
I have always liked drawing, when you draw you see things more intensely.
I would rather be attacked than unnoticed. For the worst thing you can do to an author is to be silent as to his works.
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
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