One can imagine the look the two lovers exchanged; it was like a flame, for virtuous lovers have not a shred of hypocrisy.
Honore De BalzacRead
Coffee falls into the stomach... ideas begin to move, things remembered arrive at full gallop... the shafts of wit start up like sharp-shooters, similes arise, the paper is covered with ink...
Interpretation
This quote highlights the stimulating effects of coffee on creativity and thought.
In this quote, Honore De Balzac expresses how coffee acts as a catalyst for creativity and mental clarity. As the body consumes coffee, the mind becomes active and vibrant, leading to a flood of ideas and inspirations that flow onto the paper, allowing a writer's thoughts and witticisms to manifest in a lively and dynamic way.
In practice
Using this quote in a discussion about the role of caffeine in the creative process.
One can imagine the look the two lovers exchanged; it was like a flame, for virtuous lovers have not a shred of hypocrisy.
Loyalty in time of need is possibly one of the noblest of victories a courtier can win over himself.
Marriage must incessantly contend with a monster that devours everything: familiarity.
Who is to decide which is the grimmer sight: withered hearts, or empty skulls?
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
Love is a religion, and its rituals cost more than those of other religions. It goes by quickly and, like a street urchin, it likes to mark its passage by a trail of devastation.
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
I met, not long ago, a young man who aspired to become a novelist. Knowing that I was in the profession, he asked me to tell him how he should set to work to realize his ambition. I did my best to explain. 'The first thing,' I said, 'is to buy quite a lot of paper, a bottle of ink, and a pen. After that you merely have to write.'
There's something about the ukulele that just makes you smile. It makes you let your guard down. It brings out the child in all of us.
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
It's hell writing and it's hell not writing. The only tolerable state is having just written.
I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
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