My feeling is that the hero has now been defined by phrases like the odious one that we were all raised with - crimes does not pay. Of course it pays, you schmuck. That's not why we don't do it. We don't do it because it is wrong.
Frank MillerRead
I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
Interpretation
What this quote means
Frank Miller emphasizes the importance of creating quality art without being influenced by the potential for other adaptations.
In this quote, Frank Miller expresses his commitment to the integrity of the comic book medium, suggesting that his focus is on producing the best possible comic rather than catering to the expectations of a movie adaptation. He highlights the value of authenticity in art, underscoring that the work should stand on its own merits rather than merely serve as a springboard for other forms of media.
Themes
ComicArtMovieQualityCreativity
In practice
Example use cases
A comic book publisher could quote this to inspire their artists at a conference.
More from Frank Miller
All quotes βHell's waking up every goddamn day and not even knowing why you're here.
Frank MillerRead
As a cartoonist, I'm a caricaturist. First you find out what somebody really looks like, and then you find out what they 'really' look like.
Frank MillerRead
The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird.
Frank MillerRead
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
Frank MillerRead
You can't have virtue without sin. What I'm after is having my characters' virtues defined by how they operate in a very sinful environment. That's how you test people.
Frank MillerRead
Similar quotes
"The work of art must seize upon you...carry you away."
Pierre-Auguste RenoirRead
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
David MametRead
In my games I have sometimes found a combination intuitively simply feeling that it must be there. Yet I was not able to translate my thought processes into normal human language.
Mikhail TalRead
What is the explanation of the seemingly insane drive of man to be painter and poet if it is not an act of defiance against mans fall and an assertion that he return to the Garden of Eden? For the artists are the first men.
Barnett NewmanRead
Fantasy isn't just a jolly escape: It's an escape, but into something far more extreme than reality, or normality. It's where things are more beautiful and more wondrous and more terrifying. You move into a world of conflicting extremes.
Terry GilliamRead
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
David FincherRead