Love is the last relay and ultimate outposts of eternity.
Dante Gabriel RossettiRead
Conception, my boy, fundamental brain work, is what makes all the difference in art.
Interpretation
The essence of creativity in art lies in the deep thought and understanding that precedes creation.
This quote by Dante Gabriel Rossetti emphasizes that the foundational cognitive processes and insights are crucial in the artistic creation. It suggests that true artistry is not merely about skill or technique but is fundamentally rooted in profound intellectual engagement and conceptualization, which ultimately distinguishes great art from the mundane.
In practice
In a lecture about creativity, one might invoke this quote to highlight the importance of having a deep concept before starting an artistic endeavor.
Love is the last relay and ultimate outposts of eternity.
You have been mine before - How long ago I may not know: But just when at that swallow's soar, your neck turned so, Some veil did fall, - I knew it all of yore.
Deep in the sun-searched growths the dragonfly_x000D_ _x000D_ Hangs like a blue thread loosened from the sky.
Look in my face; my name is Might-have-been; I am also call'd No-more, Too-late, Farewell.
Beauty without the beloved is a like a sword through the heart.
I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the lights around the shore. ... You have been mine before, How long ago I may not know: But just when at that swallow's soar Your neck turned so, Some veil did fall - I knew it all of yore. Has this been thus before? And shall not thus time's eddying flight Still with our lives our love restore In death's despite, And day and night yield one delight once more
I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
One does not contemplate it like a picture. The idea of contemplation disappears completely. Simply take note that it's a bottle rack, or that it's a bottle rack that has changed its destination... It's not the visual question of the readymade that counts; it's the fact that it exists, even.
I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.
Some of the smallest things on a smaller film, to me, are greater achievements than on a big film when you have the resources and the time and everything else.
Once an object has been incorporated in a picture it accepts a new destiny.
I'm just a musical prostitute, my dear.
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