A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
'Doctor Who' was the first mythology that I learned, before ever I ran into Greek or Roman or Egyptian mythologies.
Interpretation
The quote reflects the profound impact of storytelling in popular culture, highlighting how personal narratives can shape our understanding of mythology.
Neil Gaiman emphasizes the significance of 'Doctor Who' as an influential source of mythology in his life, suggesting that modern narratives can be as formative as ancient mythologies. This perspective encourages readers to recognize the cultural and personal stories that shape their identities, often in ways that are as impactful as traditional myths.
In practice
In a speech about the importance of storytelling in education, I shared Gaiman's quote to illustrate how modern tales shape our understanding of myth.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
I'd like to get something together - like a Handel, Bach, Muddy waters, flamenco type of thing. If I could get that sound, I'd be happy
Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
Would that we could at once paint with the eyes! In the long way from the eye through the arm to the pencil, how much is lost!
Performing is a profound experience, at least for me. It's not as if I sit down and play 'Fire and Rain' by myself, just to hear it again. But to offer it up... the energy that it somehow summons live takes me right back, and I do get a reconnection to the emotions.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.
I have the feeling that a lot of poets writing now are - they sort of tap dance through it.
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