Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.
Interpretation
The quote emphasizes the importance of continuous effort and reflection in the writing process, distinguishing true writers from others.
Gore Vidal asserts that consistent dedication to writing, along with the process of revision, is crucial for a writer's development. Unlike most individuals who merely experience life passively, a true writer actively transforms their experiences into art through contemplation and creativity. This highlights the role of imagination and processing in transforming raw experiences into meaningful narratives.
In practice
This quote can be used in a writing workshop to motivate aspiring writers to embrace the revision process.
We must declare ourselves, become known; allow the world to discover this subterranean life of ours which connects kings and farm boys, artists and clerks. Let them see that the important thing is not the object of love, but the emotion itself.
American writers want to be not good but great; and so are neither.
Writing fiction has become a priestly business in countries that have lost their faith.
The important thing is not the object of love, but the emotion itself.
For the average American, freedom of speech is simply the freedom to repeat what everyone else is saying and no more.
Ayn Rand's 'philosophy' is nearly perfect in its immorality, which makes the size of her audience all the more ominous and symptomatic as we enter a curious new phase in our society.... To justify and extol human greed and egotism is to my mind not only immoral, but evil.
I think no woman I have had ever gave me so sweet a moment, or at so light a price, as the moment I owe to a newly heard musical phrase.
We used to make patterns in the dirt, hanging our feet off the horse-drawn farm equipment. We made endless hourglass figures that I now see as the forms within forms in my crocheted wire sculptures.
That's how I make work. Along the way, I take notes, I read about history and popular culture. Sometimes I act out things in the studio. I go back to my mother's hair salon so I can hear three voices going all at once. I pull inspiration from everything.
You don't go out and play Beethoven's 'Opus 111' without having rethought about it every time you play.
I am not retiring. Writers don't retire. Writers never stop writing.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
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