My contribution to the world is my ability to draw. I will draw as much as I can for as many people as I can for as long as I can.
Interpretation
The quote emphasizes the importance of sharing one's creative abilities with others.
Keith Haring expresses his belief that his talent in drawing is a valuable contribution to the world. He is committed to using his artistic skills to connect with people and spread joy as long as he can, showcasing the power of art as a means of communication and community engagement.
In practice
During a motivational speech about creativity, one could use this quote to inspire young artists.
I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.
The act of creation is a kind of ritual. The origins of art and human existence lie hidden in this mystery of creation. Human creativity reaffirms and mystifies the power of 'life.
When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self. That's what it's all about.
Drawing is still basically the same as it has been since prehistoric times. It brings together man and the world. It lives through magic.
I don't think art is propaganda; it should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
Writing! The activity for which the only adequate bribe is the possibility of suicide, one day.
I call architecture frozen music.
To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
The best way to execute French cooking is to get good and loaded and whack the hell out of a chicken.
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
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