Cooking is not a craft to get into for money. The money may come, or it may not. But you must get into it for the craft and the culture.
Interpretation
Cooking should be pursued for passion and culture rather than for financial gain.
In this quote, Roy Choi emphasizes that the essence of cooking lies in the appreciation of the art and culture surrounding it, rather than the potential for monetary reward. It suggests that true fulfillment in cooking comes from the creativity and traditions involved, which enrich the experience far beyond any financial incentives.
In practice
This quote can be shared during a cooking class to inspire students about the importance of passion in culinary arts.
I realized why I can cook for different environments. Because of everything I've gone through growing up. Why can I cook for a Hollywood event without blinking an eye? Because I cooked at the Beverly Hilton and because I moved to Villa Park. Why can I cook for kids on Hollywood Boulevard at night? Because I went through it.
What I capture in spite of myself interests me more than my own ideas.
A spider lives inside my head Who weaves a strange and wondrous web Of silken threads and silver strings To catch all sorts of flying things, Like crumbs of thoughts and bits of smiles And specks of dried-up tears, And dust of dreams that catch and cling For years and years and years...
The camera sees more than the eye, so why not make use of it?
My greatest achievement is being able to write records that are real snapshots of what's going on in my life. I won't repeat myself for the sake of commerce, or to please other people.
The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
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