I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Lin-Manuel MirandaRead
What's incredible about 'Hamilton,' and the reason you can't get a ticket, is because everyone's responding to it. Everyone is seeing a bit of themselves in it.
Interpretation
The quote highlights the universal appeal of 'Hamilton' as it resonates with audiences on a personal level.
'Hamilton' is not just a musical; it's a mirror that reflects the diverse experiences and identities of its viewers. Lin-Manuel Miranda emphasizes how the show's ability to connect with people from various backgrounds makes it immensely popular and sought after.
In practice
In a discussion about modern musicals, you might say, 'As Lin-Manuel Miranda points out, what's incredible about 'Hamilton' is how it resonates with everyone's personal experiences.'
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
Everything we know about Hamilton, we knew when he was alive, because he told us.
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
I like a thing simple but it must be simple through complication. Everything must come into your scheme, otherwise you cannot achieve real simplicity.
There is something about a poet which leads us to believe that he died, in many cases, as long as 20 years before his birth.
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
We know there are poets who are chosen: by what or whom, we no more know than what lies beyond our final breath, or what caused a certain action which resulted in the fulfillment or the desecration and collapse of what we most cared for in life.
I believe that the best cameraman is one who recognizes the source, the story, as the basis of his work.
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