I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Lin-Manuel MirandaRead
What's incredible about 'Hamilton,' and the reason you can't get a ticket, is because everyone's responding to it. Everyone is seeing a bit of themselves in it.
Interpretation
The quote highlights the universal appeal of 'Hamilton' as it resonates with audiences on a personal level.
'Hamilton' is not just a musical; it's a mirror that reflects the diverse experiences and identities of its viewers. Lin-Manuel Miranda emphasizes how the show's ability to connect with people from various backgrounds makes it immensely popular and sought after.
In practice
In a discussion about modern musicals, you might say, 'As Lin-Manuel Miranda points out, what's incredible about 'Hamilton' is how it resonates with everyone's personal experiences.'
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
Everything we know about Hamilton, we knew when he was alive, because he told us.
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
On the whole, actors shout when they don't know what they're doing, trying to make an impact.
What seems to me the highest and the most difficult achievement of Art is not to make us laugh or cry, or to rouse our lust or our anger, but to do as nature does-that is, fill us with wonderment.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
Art invites us to know beauty and to solicit it, summon it, from even the most tragic of circumstances.
There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it.
Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
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