I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Lin-Manuel MirandaRead
What's incredible about 'Hamilton,' and the reason you can't get a ticket, is because everyone's responding to it. Everyone is seeing a bit of themselves in it.
Interpretation
The quote highlights the universal appeal of 'Hamilton' as it resonates with audiences on a personal level.
'Hamilton' is not just a musical; it's a mirror that reflects the diverse experiences and identities of its viewers. Lin-Manuel Miranda emphasizes how the show's ability to connect with people from various backgrounds makes it immensely popular and sought after.
In practice
In a discussion about modern musicals, you might say, 'As Lin-Manuel Miranda points out, what's incredible about 'Hamilton' is how it resonates with everyone's personal experiences.'
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
Everything we know about Hamilton, we knew when he was alive, because he told us.
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
Overall, I think the main thing a musician would like to do is give to the listener the many wonderful things he knows of and senses in the universe... That's what I would like to do. I think that's one of the greatest things you can do in life, and we all try to do that in some way. The musician's is through his music.
Art is something that grows and breathes and lives, and it shouldn't be predicated on the success of box office - but it is. But within that, you have to give people a chance to find their voice, to play, to continue to create.
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
A good composer does not imitate; he steals.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry.
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