I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Lin-Manuel MirandaRead
Everything we know about Hamilton, we knew when he was alive, because he told us.
Interpretation
This quote reflects on how Hamilton's legacy and experiences were shaped by his own words and storytelling.
Lin-Manuel Miranda emphasizes the importance of self-expression and narrative in the legacy of Alexander Hamilton. It suggests that the information and persona we have of Hamilton are directly derived from his own descriptions and the life he lived, highlighting the role of art and storytelling in preserving history.
In practice
In a presentation about the importance of art in history, this quote can highlight how artists shape our understanding of figures from the past.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
Making words rhyme for a living is one of the great joys of my life... That's a superpower I've been very conscious of developing. I started at the same level as everybody else, and then I just listened to more music and talked to myself until it was an actual superpower I could pull out on special occasions.
The heaventree of stars hung with humid nightblue fruit.
Sing in me, Muse, and through me tell the story
I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
I am following Nature without being able to grasp her, I perhaps owe having become a painter to flowers.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
My brain hums with scraps of poetry and madness.
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