You felt it as a depth of ease in certain boys, their innate, affable assurance that they would not have to struggle for a place in the world; that is already reserved for them.
Tobias WolffRead
Of course it's why you want to become a writer - because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
Interpretation
Being a writer brings both freedom and responsibility.
This quote emphasizes that the act of writing offers creative freedom, yet with that freedom comes the responsibility to engage meaningfully in the craft. Writers are not only free to express their thoughts but are also obliged to contribute thoughtfully to the literary world and society.
In practice
In a workshop on creative writing, one might use this quote to inspire students about the importance of their craft.
You felt it as a depth of ease in certain boys, their innate, affable assurance that they would not have to struggle for a place in the world; that is already reserved for them.
You don't teach information in a writing workshop.
Because I don't have to be careful of people's feelings when I teach literature, and I do when I'm teaching writing.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
Like so many writers I started writing stories because I didn't have much time for anything else.
I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.
I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
I'm not a journalist; I'm a poet.
people see so many movies that when they finally see one not so bad as the others, they think it's great. an Academy Award means that you don't stink quite as much as your cousin.
I want to tell stories that are true and that resonate and move people, that highlight both the tremendous beauty and ugliness available in the human experience.
Abstract painting seeks to be a pure pictorial language, and thus attempts to escape the essential impurity of all languages: the recourse to signs or forms that have meanings shared by everyone.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
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