You felt it as a depth of ease in certain boys, their innate, affable assurance that they would not have to struggle for a place in the world; that is already reserved for them.
Tobias WolffRead
Of course it's why you want to become a writer - because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
Interpretation
Being a writer brings both freedom and responsibility.
This quote emphasizes that the act of writing offers creative freedom, yet with that freedom comes the responsibility to engage meaningfully in the craft. Writers are not only free to express their thoughts but are also obliged to contribute thoughtfully to the literary world and society.
In practice
In a workshop on creative writing, one might use this quote to inspire students about the importance of their craft.
You felt it as a depth of ease in certain boys, their innate, affable assurance that they would not have to struggle for a place in the world; that is already reserved for them.
You don't teach information in a writing workshop.
Because I don't have to be careful of people's feelings when I teach literature, and I do when I'm teaching writing.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
Like so many writers I started writing stories because I didn't have much time for anything else.
I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.
The Japanese have a wonderful sense of design and a refinement in their art. They try to produce beautiful paintings with the minimum number of strokes.
Flaubert called himself a human pen; I would say that I am a human ear. When I walk down the street and catch words, phrases, and exclamations, I always think - how many novels disappear without a trace! Disappear into darkness.
I've often been accused of, 'Oh the movies looked good but there's no story,' but I disagree with that in theory, and '9' is a perfect example for me because the feel, the texture, and the look of that world, and those characters, is the story. That's a major component of why you feel the way you do when you're watching it.
The best literature is always a take [in the musical sense]; there is an implicit risk in its execution, a margin of danger that is the pleasure of the flight, of the love, carrying with it a tangible loss but also a total engagement that, on another level, lends the theater its unparalleled imperfection faced with the perfection of film. I don’t want to write anything but takes.
The best camera is the one you have with you.
A street is a story in asphalt - so it's a paradox that the streets are the one place where the movies play fast and loose with continuity, something to which L.A. streets lend themselves as naturally as does the city's psyche.
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