I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
Antonin ArtaudRead
Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
Interpretation
This quote emphasizes the harsh and uncompromising nature of theatre that can evoke strong emotions.
Antonin Artaud suggests that true cruelty in theatre involves a relentless commitment to intensity and clarity in performance. It reflects how the art form demands absolute focus and discipline from its creators, leading to powerful, often challenging experiences for both the actors and the audience.
In practice
In a theatre class discussing the emotional impact of performances.
I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat.
If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .
In consciousness dwells the wondrous, with it man attains the realm beyond the material, and the Peyote tells us, where to find it.
He was very much a man of moods, possibly owing to what is styled the artistic temperment. I have never seen, myself, why the possession of artistic ability should be supposed to excuse a man from a decent exercise of self-control.
Why do people have to build such depressing places? I'm not saying that every nook and cranny of the world has to be beautiful, but does it have to be this ugly?
Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity.
The secret to modeling is not being perfect. What one needs is a face that people can identify in a second. You have to be given whatβs needed by nature, and whatβs needed is to bring something new.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
To emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers.
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