Rock and roll ain't nothing but jazz with a hard backbeat.
There's a demon in me, and he's still around. Without the dope, we have a bit more of a chat these days.
Interpretation
What this quote means
This quote reflects the internal struggles and battles one faces, particularly related to addiction and identity.
In this quote, Keith Richards expresses his ongoing internal conflict with his addiction, represented metaphorically as a 'demon.' He implies that sobriety has allowed him to confront this inner turmoil more openly, as he engages in self-reflection and dialogue with this dark part of himself. It suggests a journey of acceptance and understanding of one's flaws rather than merely suppressing them.
Themes
In practice
Example use cases
In a motivational speech about overcoming personal demons, you might say, 'As Keith Richards put it, there's a demon in me, and he's still around, reminding us that self-acceptance is key to growth.'
More from Keith Richards
All quotes βEveryone talks about rock these days; the problem is they forget about the roll.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
If you've gotta think about being cool, you ain't cool.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
Similar quotes
We need to have empathy. When we lose empathy, we lose our humanity.
We think that the world is a solid, vivid place, full of shape and colour and solid objects like this table and this microphone and so on, but we actually create that in our heads out of the bits of information that hit the back of our eyeballs or hit our eardrums or hit our tongues or whatever.
I mean, if Beethoven had been killed in a plane crash at twenty-two, the history of music would have been very different. As would the history of aviation, of course.
We are exploring together. We are cultivating a garden together, backs to the sun. The question is a hoe in our hands and we are digging beneath the hard and crusty surface to the rich humus of our lives.
Things were somehow so good that they were in danger of becoming very bad because what is fully mature is very close to rotting
A woman reading Playboy feels a little like a Jew reading a Nazi manual.