One should really use the camera as though tomorrow you'd be stricken blind.
Dorothea LangeRead
A documentary photograph is not a factual photograph.
Interpretation
A documentary photograph conveys emotions and narratives beyond mere facts.
Dorothea Lange's assertion suggests that documentary photography aims to tell a deeper story, capturing the essence and context of a moment rather than simply presenting an objective reality. This perspective highlights the artistry and subjective interpretation involved in the creation of documentary images, reminding us that photographs can evoke feelings and communicate messages beyond their literal representation.
In practice
In a photography exhibition discussing the impact of documentary art on societal issues.
One should really use the camera as though tomorrow you'd be stricken blind.
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
Surefire things are deadening to the human spirit.
The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
You go into a room and you know where you're welcome; you know where you're unwelcome.Sometimes in a hostile situation you stick around because hostility itself is important.The people who are garrulous and wear their heart on their sleeve and tell you everything, that's one kind of person, but the fellow who's hiding behind a tree and hoping you don't see him is the fellow that you'd better find out why.
The artist is nothing without the gift, but the gift is nothing without work.
For being a bad student I was banished to the 'calaboose' - a bare cell with whitewashed walls and a bench to sit on. I liked it there, because I took along a sketch pad and drew incessantly I could have stayed there forever drawing without stopping
Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.
Who says that fictions only and false hair_x000D_ Become a verse? Is there in truth no beauty?_x000D_ Is all good structure in a winding stair?
I'd love to be an artist always, but if no one wants me, I'd love to write songs for other people, be a manager, nurture new talent.
With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
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