Sometimes with pop music, you have to see it to love it. With soul music, it's sparse. There's nothing that's pretentious or planned. It's just so gutsy.
AdeleRead
I'd love to be an artist always, but if no one wants me, I'd love to write songs for other people, be a manager, nurture new talent.
Interpretation
Adele expresses her passion for artistry and her willingness to support others in the creative field.
In this quote, Adele reflects on her deep desire to be an artist, emphasizing that while she yearns to create her own music, she also values the role of helping others in the industry. This highlights a broader theme of collaboration and mentoring, showing that success can also come from nurturing talent rather than solely seeking the spotlight for oneself.
In practice
In a speech about supporting local artists.
Sometimes with pop music, you have to see it to love it. With soul music, it's sparse. There's nothing that's pretentious or planned. It's just so gutsy.
My voice went recently, never happened before, off like a tap. I had to sit in silence for nine days, chalkboard around my neck. Like an old-school mime. Like a kid in the naughty corner. Like a Victorian mute.
I think no matter what you look like, the key is to first of all be happy with yourself. And then you know if you want to try to improve things that you don't like about yourself, then do it after your appreciate yourself.
I'd lose weight if I was an actress and had to play a role where you're supposed to be 40 lbs lighter, but weight has nothing to do with my career. Even when I was signing a contract, most of the industry knew if anyone ever dared say lose weight to me, they wouldn't be working with me.
People are starting to go on about my weight but I'm not going to change my size because they don't like the way I look.
You had my heart inside of your hand but you played it to the beat
Film editing is now something almost everyone can do at a simple level and enjoy it, but to take it to a higher level requires the same dedication and persistence that any art form does.
They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
One thing is certain: the arts keep you alive. They stimulate, encourage, challenge, and, most of all, guarantee a future free from boredom. They allow growth and even demand it in that time of life we call maturity but too often enter it with a childish faith that what we learned in youth is sustenance enough for the years when most men are mentally famished but won't admit it—or when they are apt to curb their hunger with the sops of complacency, security, and the assurance of death.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
It would be a lowly art that allowed itself to be understood all at once.
He who pretends to be either painter or engraver without being a master of drawing is an imposter.
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