They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
David MametRead
Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.
Interpretation
Focus on the essence of the dialogue rather than unnecessary details in storytelling.
David Mamet emphasizes the importance of clarity in writing, especially in plays. He suggests that the intention behind a character's words should be evident through their delivery, rather than cluttered with superfluous stage directions that do not enhance the audience's understanding of the character's motivations or actions.
In practice
In a workshop on playwriting, to illustrate effective dialogue, you could quote Mamet to encourage writers to focus on character intention.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Every reiteration of the idea that nothing matters debases the human spirit.
Bright gem instinct with music, vocal spark.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
Let's face it, writing is hell.
I'm a writer and, therefore, automatically a suspicious character.
Those are miracles that no merely human brain can work. The artist is merely the sound conduct of a Force that dictates to him what he should do.
I never wanted to be called an artist. I wanted to be called a photographer.
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