Prowling the meanings of a word, prowling the history of a person, no use expecting a flood of light. Human words have no main switch. But all those little kidnaps in the dark. And then the luminous, big, shivering, discandied, unrepentant, barking web of them that hangs in your mind when you turn back to the page you were trying to translate.
It is easier to tell a story of how people wound one another than of what binds them together.
Interpretation
What this quote means
This quote highlights the tendency for narratives of conflict to overshadow those of connection and unity.
Anne Carson's quote reflects on the common human inclination to focus on stories of pain and discord, often neglecting the deeper, more profound stories of love, connection, and the bonds that unite us. It suggests a critical perspective on how narratives shape our understanding of relationships, pointing out that healing and togetherness are frequently overlooked in favor of more dramatic tales of separation and hurt.
Themes
In practice
Example use cases
In a discussion about the importance of community, one might use this quote to illustrate how stories of connection are often underrepresented.
More from Anne Carson
All quotes β[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop.
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
To live past the end of your myth is a perilous thing.
I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.
Sometimes I dream a sentence and write it down. Itβs usually nonsense, but sometimes it seems a key to another world.
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Plain women know more about men than beautiful women do.
Changing laws and changing the political dialogue, while necessary, is insufficient to ensure that bullying stops; to ensure that every young person is supported by their parents and their teachers as they question who they are and they discover who they are regardless of the sexuality.
Ah men, why do you want all this attention? I can write poems for myself, make love to a doorknob if absolutely necessary. What do you have to offer me I can't find otherwise except humiliation? Which I no longer need.
People would be amazed by the ordinary life William and I live. I do my own shopping. Sometimes, when I come away from the meat counter in my local supermarket, I worry someone will snap me with their phone. But I am determined to have a relatively normal life, and if I am lucky enough to have children, they can have one, too.
I wish Iβd a knowed more people. I would of loved βem all. If Iβd a knowed more, I would a loved more
We shall be free only together, black and white. We shall survive only together, black and white. We can be human only together, black and white.