I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Jean Michel JarreRead
When I began making electronic music, the only thing I was thinking about was creating music that I really liked. I didn't think about what effect it would have; I was busy doing it.
Interpretation
The quote emphasizes the importance of pure artistic expression over commercial considerations.
Jean Michel Jarre reflects on his early days of creating electronic music, highlighting that his primary focus was on his own enjoyment and passion for the music rather than any potential repercussions or audience reactions. This perspective underlines the value of authenticity in the creative process, suggesting that true artistry stems from doing what you love, without being overly concerned with external validation or success.
In practice
In a speech at a music festival, a speaker could use this quote to inspire young musicians to follow their passion.
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
Here let dead poetry rise once more to life.
You have to write the story that's at the front of your head. There is no point in trying to write for the market; it won't ring true.
For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own.
It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. [...] Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.
It is essential to naturalist doctrine that literature, to be good, must, finally, be the author's experience worked out literally.
The function of music is to release us from the tyranny of conscious thought.
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