I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Jean Michel JarreRead
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Interpretation
The quote highlights differing artistic philosophies in electronic music between Jarre and other influential groups.
Jean Michel Jarre reflects on the contrasting artistic perspectives within electronic music, contrasting the mechanical, precise style of bands like Tangerine Dream and Kraftwerk with his own impressionist approach inspired by composers Ravel and Debussy. This illustrates how personal interpretation and creativity can vary significantly even within the same genre, emphasizing the depth and diversity of artistic expression.
In practice
During a lecture on music history, this quote could illustrate the evolution of electronic music.
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
I often painted fragments of things because it seemed to make my statement as well as or better than the whole could.
A caricature is putting the face of a joke on the body of a truth.
Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
There is no complete spiritual life without music, for the human soul has regions which can be illuminated only by music.
The sight of a Black nun strikes their sentimentality; and, as I am unalterably rooted in native ground, they consider me a work of primitive art, housed in a magical color; the incarnation of civilized, anti-heathenism, and the fruit of a triumphing idea.
There is always an emotional element to anything that you make.
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