I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Jean Michel JarreRead
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
Interpretation
Music should respect the rights of artists and involve their permission for use.
This quote emphasizes the importance of obtaining permission from artists before using their music, highlighting the ongoing need to support the livelihoods of those who create it. It reflects a broader concern about the moral and ethical implications of using someone else's creative work without their consent, encouraging respect and recognition for artists' contributions.
In practice
This quote can be used in discussions about copyright laws in music.
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
The truth is, the difference between a studio photographer and a photojournalist is the same as the difference between a political cartoonist and an abstract painter; the only thing the two have in common is the blank page. The jobs entail different talents and different desires.
[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.
If you're not ready to do a non-stop dialogue with fashion, you should do another job.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
You a slave to a page in my rhyme book.
Wherever the poetry of myth is interpreted as biography, history, or science, it is killed.
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