With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
Jean Michel JarreRead
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Interpretation
Music is like an elusive ideal that constantly seems just out of reach, no matter how close you feel you are to it.
In this quote, Jean Michel Jarre compares the pursuit of the perfect piece of music to a mirage in the desert, symbolizing the endless quest for an unattainable ideal. Just as one can be drawn towards a mirage, believing it to be within reach, artists and listeners alike can become obsessed with the notion of the perfect musical experience, only to find that it remains forever elusive and just beyond their grasp.
In practice
A musician could use this quote during an interview to express the nature of their creative process.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
If we start putting music out constantly where people don't think no more, people go crazy. We're gonna lose the love of heart, of soul. And if the world lose that, I think the world is doomed.
I will say only that all a writer has to work with is the material he has gathered as the result of his own endeavor and observations, and he cannot be denied the right to use it. Condemn, but not deny.
My philosophy is that I'm an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes.
Training readers to expect a voice or subject matter from me would interfere with the reinvention I crave. At the same time, I feel almost too able to disappear at times.
Art establishes the basic human truths which must serve as the touchstones of our judgement. The artist... faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an offensive state.
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