I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
Interpretation
A poet needs to deeply observe the world to write meaningful poetry.
Mary Oliver emphasizes that the quality of a poem is not solely dependent on the poet's vocabulary but rather on their ability to observe and connect with the world around them. This deep scrutiny allows the poet to capture fresh and vivid perspectives, making the poem richer and more impactful.
In practice
In a poetry workshop, to highlight the importance of observation, one might quote this to inspire deeper engagement with their surroundings.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
The secret is not to write about what you love best, but about what you, alone, love at all.
Curves are the essence of my work because they are the essence of Brazil, pure and simple.
The informing idea of what you want to say and do, that's what will take you from film school to professional - the idea. That's what is original to you.
Entertainment provides relief. Art provokes engagement.
I think a lot of people who want to be musicians terrify their parents because they don't have a living example of it in their families, and I did. So I always knew that it was possible.
A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.
Subscribe for the occasional hand-picked quote. No noise.