Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
Etymologically, 'patient' means sufferer.
Interpretation
The word 'patient' derives from a term meaning 'sufferer', highlighting the connection between patience and enduring suffering.
In this quote, Susan Sontag points out the etymological root of the word 'patient', revealing that being patient is inherently linked to suffering. This connection invites deep reflection on how the practice of patience often involves enduring difficult times or challenges with grace and resilience, suggesting that true patience is not merely about waiting but about how we handle our suffering during that time.
In practice
This quote could be used in a motivational speech about resilience in the face of adversity.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Adventures come to the adventurous, and mysterious things fall in the way of those who, with wonder and imagination, are on the watch for them; but the majority of people go past the doors that are half ajar, thinking them closed, and fail to notice the faint stirrings of the great curtain that hangs ever in the form of appearances between them and the world of causes behind.
The past is always tense, the future perfect.
Religious belief, like history itself, is a story that is always unfolding, always subject to inquiry and ripe for questioning. For without doubt there is no faith.
You do what you want and know is right. That is the only law.
Since we live in a society that promotes faddism and temporary superficial adaptation of different values, we are easily convinced that changes have occurred in arenas where there has been little or no change.
In the law, rights are islands of empowerment. . . . Rights contain images of power, and manipulating those images, either visually or linguistically, is central in the making and maintenance of rights. In principle, therefore, the more dizzyingly diverse the images that are propagated, the more empowered we will be as a society.
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