There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
Europe has been a place of refuge. Why should it stop with black and brown bodies?
Interpretation
The quote emphasizes the importance of inclusivity and the protection of marginalized communities within Europe.
Kehinde Wiley's quote speaks to the historical significance of Europe as a refuge for those seeking safety and shelter. It highlights the need for this legacy to extend to all individuals, regardless of race or ethnicity, specifically advocating for the inclusion and protection of black and brown bodies in discussions about sanctuary and welcome in European society.
In practice
In a speech about immigration policies, this quote could be used to emphasize the need for inclusivity.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
History has its truth; and so has legend hers.
The essence of globalization is a subordination of human rights, of labor rights, consumer, environmental rights, democracy rights, to the imperatives of global trade and investment.
It is not rebellion itself which is noble but the demands it makes upon us.
American decline is real, though the apocalyptic vision reflects the familiar ruling class perception that anything short of total control amounts to total disaster.
Many have become chess masters - no one has become the master of chess.
Queerness isn't just Lady Gaga and overpriced drinks and fauxhawks. It's James Baldwin and Bea Arthur and Gertrude Stein and Gore Vidal.
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