The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
John BergerRead
Every authentic poem contributes to the labor of poetry... to bring together what life has separated or violence has torn apart... Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
Interpretation
Poetry has the power to unify and heal by reassembling disjointed experiences of life.
In this quote, John Berger emphasizes the role of poetry as a force that seeks to bring together the fragments of human experiences that have been separated by life's challenges or violence. Although poetry cannot physically repair loss, it can challenge the divisions created by such loss, tirelessly working to unify and make sense of the scattered pieces of existence through its creative expression.
In practice
This quote would be a powerful addition to a speech encouraging creativity in times of turmoil.
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
We never look at just one thing; we are always looking at the relation between things and ourselves.
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
Being a unique superpower undermines the military intelligence of strategy. To think strategically, one has to imagine oneself in the enemy's place. If one cannot do this, it is impossible to foresee, to take by surprise, to outflank. Misinterpreting an enemy can lead to defeat. This is how empires fall.
Who would dare assign to art the sterile function of imitating nature?
My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted.
A writer’s life is in his work, and that is the place to find him.
The stories are not autobiographical, but they're personal in that way. I seem to know only the things that I've learned. Probably some things through observation, but what I feel I know surely is personal.
The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.
The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.
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