As a child, you respond physically, tactically. You're delighted by sound, you're delighted by recognizing something. It's like hide and seek. Is it there? Is it not there? Is it this note? Is it not this note? It's one fantastic game.
Yo-Yo MaRead
With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
Interpretation
Music performance improves with relaxation, allowing for better listening and expression.
This quote by Yo-Yo Ma emphasizes the importance of relaxation in musical performance. As musicians gain experience over the years, they learn to let go of tension, which enhances their ability to listen and connect with the music, ultimately leading to a more expressive performance.
In practice
A musician shares this quote during a workshop on performance relaxation techniques.
As a child, you respond physically, tactically. You're delighted by sound, you're delighted by recognizing something. It's like hide and seek. Is it there? Is it not there? Is it this note? Is it not this note? It's one fantastic game.
There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
I think that peace is, in many ways, a precondition of joy.
I think anybody who goes away finds you appreciate home more when you return.
When we enlarge our view of the world, we deepen our understanding of our own lives.
I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
The creative musician ... is ... the radio receiver, not the broadcasting station. His personal discipline is to improve the quality of the components, the transistors, the speakers, the alloys in the receiver itself, but never to concern himself overmuch with putting out the program. The program is there; all he has to do is receive it as far as possible.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates.
All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it.
Although I am losing my Soviet citizenship, I do not cease to be a Russian poet.
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