We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
Everything is an experiment until it has a deadline. That gives it a destination, context, and a reason.
Interpretation
Deadlines give purpose to experiments by providing a clear goal and context.
This quote by Brian Eno suggests that until something has a deadline, it remains an open-ended experiment without direction. The imposition of a deadline not only establishes a destination but also creates a sense of urgency and significance, allowing individuals to focus their efforts and resources more effectively.
In practice
During a team meeting, you can use this quote to emphasize the importance of setting deadlines to achieve project goals.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
In some ways, [the student anti-sweatshop movement] is like the anti-apartheid movement, except that in this case its striking at the core of the relations of exploitation. Much of this was initiated by Charlie Kernaghan of the Institute for Global Labour and Human Rights.
A universal renunciation of violence requires the commitment of the whole of society. These are not matters of government but matters of State; not only matters for the authoirities, but for society in its entirety, including civilian, military, and religious bodies. The mobilization which is urgently needed to effect the transition within two or three years from a culture of war to a culture of peace demands co-operation from everyone. In order to change, the world needs everyone.
My world has changed, and so have I. I have learned to choose and I have learned to say goodbye.
It is change continuing change, inevitable change that is the dominant factor in society today.
I don't reinvent myself in any major way. It seems to be a slow evolution. I go back and visit certain themes that I feel strongly about and resonate with me emotionally.
The Arab Spring reminds me a bit of the decolonisation process where one country gets independence, and everybody else wants it.
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