One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
Alan MooreRead
Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.
Interpretation
The quote highlights the unique nature of creating comics, where early drafts are published before later chapters are completed.
Alan Moore emphasizes the challenges of working in the comic book industry, where once a chapter is published, changes cannot be retroactively made to characters or plot points. This highlights the constraints of storytelling in serialized formats and the importance of planning and commitment to one's creative decisions from the outset.
In practice
Mentioning this quote at a comic book convention to illustrate the unique challenges faced by comic creators.
One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: “In the beginning was the Word.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Love your rage, not your cage.
You know, even I have had work or ideas come through me from a source that I honestly cannot identify. And what is that thing? And how are we to relate to it in a way that will not make us lose our minds, but, in fact, might actually keep us sane?
Creativity is a natural extension of our enthusiasm.
Share what you do profusely, because it will be remixed by others into something new, rich and strange.
Ad agencies do all kinds of market research that ask people what they think they want, and instead, you should be creating things that you want. If you do something and you get it, the rest of the world will get it, too. Trust your own instincts, your own intellect, and your own sense of humor.
I was young, and by instinct of self-preservation I had to collect my energy on something, if I were not to be whirled away with the dusk on the farm-roads, or the smoke on the plain. I begun in the evenings to write stories, fairy-tales, and romances, that would take my mind a long way off, to other countries and times.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
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