My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
Existence is a series of footnotes to a vast, obscure, unfinished masterpiece.
Interpretation
Our lives serve as annotations to the greater mysteries of existence and creativity.
This quote by Nabokov suggests that human existence is not a standalone narrative but rather a collection of experiences and interpretations that accompany a grand and incomplete work of art or life itself. It emphasizes the complexity and ambiguity of our lives and the broader universe, indicating that we are all just part of a larger story that remains beyond our complete understanding.
In practice
In a discussion about the nature of art and human experience, one might reference this quote to illustrate how our lives relate to greater themes.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
Every old man complains of the growing depravity of the world, of the petulance and insolence of the rising generation. He recounts the decency and regularity of former times, and celebrates the discipline and sobriety of the age in which his youth was passed; a happy age which is now no more to be expected, since confusion has broken in upon the world, and thrown down all the boundaries of civility and reverence.
The whole blear world of smoke and twisted steel around my head in a railroad car, and my mind wandering past the rust into futurity: I saw the sun go down in a carnal and primeval world, leaving darkness to cover my railroad train because the other side of the world was waiting for dawn.
All around me darkness gathers, Fading is the sun that shone, We must speak of other matters, You can be me when I'm gone Flowers gathered in the morning, Afternoon they blossom on, Still are withered in the evening, You can be me when I'm gone.
For many terrorists, carrying out an attack allowed them to become the heroes of their own story.
Before his death, Rabbi Zusya said "In the coming world, they will not ask me: 'Why were you not Moses?' They will ask me: 'Why were you not Zusya?
A society that presumes a norm of violence and celebrates aggression, whether in the subway, on the football field, or in the conduct of its business, cannot help making celebrities of the people who would destroy it.
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