Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
Interpretation
This quote expresses Seamus Heaney's rejection of experimental poetry and avant-garde styles in favor of traditional forms.
Seamus Heaney articulates his stance against experimental poetry, identifying it as a movement that he does not align with or appreciate. He highlights the avant-garde's tendency to subvert conventional poetry, suggesting that his own style is rooted in more traditional, established forms of poetic expression. This statement encapsulates the tension between different artistic movements and the personal preferences of an artist.
In practice
In a literary debate about modern versus traditional poetry styles.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
I slowly dismantled the act of painting, to consider the possibility that no-thing ever really transcends its immediate environment.
I write as if I've lived a lot of things I haven't lived.
The Poet is a kinsman in the clouds Who scoffs at archers, loves a stormy day; But on the ground, among the hooting crowds, He cannot walk, his wings are in the way.
I search for different tonalities in my taps. But my greatest pleasure is hearing a note I haven't heard before, hearing a chord that sparks something new.
For me it remains an open question whether [this work] pertains to the realm of mathematics or to that of art.
I just go into the studio, look at the lyrics for the first time when I put them on the piano, and go. If I haven't got it within 40 minutes, I give up. It's never changed, the thrill has never gone, because I don't know what I'm going to get next.
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