Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
Interpretation
This quote expresses Seamus Heaney's rejection of experimental poetry and avant-garde styles in favor of traditional forms.
Seamus Heaney articulates his stance against experimental poetry, identifying it as a movement that he does not align with or appreciate. He highlights the avant-garde's tendency to subvert conventional poetry, suggesting that his own style is rooted in more traditional, established forms of poetic expression. This statement encapsulates the tension between different artistic movements and the personal preferences of an artist.
In practice
In a literary debate about modern versus traditional poetry styles.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
I have tried to write Paradise Do not move Let the wind speak that is paradise. Let the Gods forgive what I have made Let those I love try to forgive what I have made.
I never want to make the kind of film whose impact ends when the audience leaves the cinema.
And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
I learn poetry, learn text, and that really keeps you alive.
We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
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